2018

Born to be Bored, 2018

 

 

The sculptural objects from Born to be Bored, live in the YES Resort. It is a job resort in a near future reality of Atlantic City, New Jersey which has been renamed Atlantic in a corporatized America called US Land.  No longer the Atlantic City with an economy based on gaming, the revitalized city looks to  progressive values such as sustainability and economic empowerment to promote productive fun.  At the YES Resort, jobs are the respite that the many unemployed or underemployed citizens of US Land seek.  The resort feeds on collective sentiments of nostalgia for a “golden age”, but has exacerbated isolation in the name of specificity and individualism.  

The work responds satirically to an ever increasing boring experienced by modern society; a hole, an emptying, a longing.  It is a negotiation of nostalgic and sterile definitions of ‘American-ness’ as they relate to the current socio-political climate.  Whether looking backward or forward, Born to be Bored encourages a look around, a look through; a time for reflection on how we as individuals and as a society affect each other and our environments.

Visit the YES Resort today!
   Learn more about US Land’s #1 job resort!

2016

 Light, Sweet, Crude, 2016 (ongoing)

 

 

Light, Sweet, Crude explores plastic both its materiality—the ability to be translucent and malleable or rigid and opaque, and its impact on our world.  Plastic is ubiquitous and pervasive, especially in the urban landscape. The work from Light, Sweet, Crude challenges the value of the material, while also celebrating the possibilities of reusing it as an art material. 

Devotee, 2016

 

ARCHIVE

Eyes front, mouth shut, 2015

World of the thingamabobs, 2014

2013-12

ABOUT

REGINA VIQUEIRA

Regina Viqueira (b. 1992, Maryland) is a NYC/NJ based artist and educator with a background in non-profit development and community engagement.  Often utilizing found, recycled, and reused materials, her her multi-disciplinary art and social practice embraces considerations of access, consumerism, and environment, while also addressing the systemic and cultural behaviors that are passed over time and space. Viqueira holds an MFA in Fine Arts from the School of Visual Arts (SVA) and a BA in Studio Art and Peace and Conflict Studies from the College of the Holy Cross. She has exhibited work at the Philippine Embassy in Washington, DC and El Museo del Barrio in New York City, among other spaces in Massachusetts, Connecticut, Washington, D.C., and New York.

CV: View/Download PDF
Email: regina@reginaviqueira.com